Praise for
A Dimly Burning Wick: Memoir from the Ruins of
Hiroshima
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ÒThis memoir is a moving
and powerful reminder that there are innocent people—not numbers or kill
ratios—on the receiving end of nuclear weapons. Like John HerseyÕs Hiroshima, A Dimly Burning Wick is a vivid reminder that the abolition of nuclear
weapons is the most effective step toward human security.Ó
Martin J. Sherwin, Pulitzer
Prize winning biographer and Professor of English and American History at Tufts
University, author of American Prometheus: The Triumph and Tragedy of J.
Robert Oppenheimer, and author of A
World Destroyed: Hiroshima and Its Legacies
ÒWhat a powerful scholarly
and moral statement! Here is a grim reminder that the U.S. was the first nation
to deploy the atomic bomb as a weapon of mass destruction. The ghastly atomic
attacks on Japan did not have to happen. In fact, General Douglas MacArthur
stated that the dropping of the atomic bomb on Hiroshima was not a military
necessity. Why, then, was this terrible new weapon used? Vergun's study offers
answers, but also lets the victims of the atomic bombings speak for themselves.
Told from the bottom-up and in their own words, their accounts of their
"lived" experiences are vivid, detailed, and searing. Their memories
can guide us in today's fearful world, bristling with nuclear weapons.Ó
Ronald Takaki, Historian
and Professor of Ethnic Studies at the University of California, Berkeley,
Author of Hiroshima: Why America Dropped the Atomic Bomb and Double Victory: A Multicultural History of
America in World War II
ÒFor many people, the
atomic bombing of Hiroshima brings to mind a towering mushroom cloud and
Colonel Tibbets waving from the cockpit of the Enola Gay. Better that those
images be replaced by some of the heart-wrenching scenes of human suffering
readers will encounter in Sadako Okuda's memoir. One of the most valuable parts
of the book is the supporting chapter by Dr. Pamela Vergun that asks us to
consider how decisions like the one to obliterate Hiroshima are made--and why
so many of us feel compelled to defend those decisions on moral grounds.
A very impressive book.Ó
Leonard S. Newman, Ph.D.,
Associate Professor of Psychology and Area Director, Social Psychology Program,
Syracuse University, Author of Understanding Genocide: The Social Psychology
of the Holocaust
ÒThe story of the children
of Hiroshima in A Dimly Burning Wick is strikingly parallel to the story of the Bikini islanders who left
their homeland sixty two years ago to allow the US to conduct its nuclear
weapon tests. The nuclear tests devastated the islands and contaminated the
islands with high level radioactive materials. The entire population has been
severely affected by radiation-induced illnesses and many have since died. The
US promised to clear their homeland but have not done so. In fact, the US has
miserably failed to provide aide and support for years. The Bikini islanders
are asking the US to provide fair compensation and justice to these nuclear
victims. The story of the children of Hiroshima is indeed quite compelling and
sad, very similar to the Bikini islanders.Ó
Senator Kessai Note,
President of the Republic of the Marshall Islands, 2000 to 2008
ÒHer voice of hope and
expectation in the midst of despair helps us see the possibility of using
Hiroshima as a more universal symbol, as an icon whose memory inspires an
ambitious arms control agenda with the ultimate goal of abolishing nuclear
weaponsÉ. Hiroshima could become a symbol of globalization that would be at
least as powerful as the Nike swoosh mark or the Golden Arches of McDonaldsÉ.
As she wanders through the terror of Hiroshima, Sadako Okuda asked why she
should live. As we read her powerful account of what happened, we should all be
grateful that she did.Ó
Paul Joseph, Ph.D., Professor
of Sociology, Director of the Peace and Justice Studies Program Tufts
University, Author of Are Americans Becoming More Peaceful? and Peace Politics: The United States Between
the Old and New World Orders, from
ÒRemembering Hiroshima,Ó in A Dimly Burning Wick
ÒI
have been to Hiroshima and have visited the horrible remains and relics in the museum.
The feelings I experienced at that time, however, were no match for the moving
emotions I experienced as I read this book. The true essence of what took place
when the bomb was dropped is not adequately revealed by the relics and remains
one finds in a museum. It is exposed through the eyes of the author that can capture
its spirit, the heart that embraces it, and the gentle, soul-filled breath that
cries or shares brief moments of happiness with those who were there. Through
the eyes of Sadako Okuda, one can capture its spirit.Ó
Sok-Hon Ham, Nonviolence
and Human Rights Advocate, Nominated for the Nobel Peace Prize, from the
Foreword to the first Korean Edition of A Dimly Burning Wick
Ò[T]here is, flowing at the very bottom of the
hell described in this book, a powerful wellspring of lifeÉ If all the peoples
of the EarthÉ are made in GodÕs image, then what person would not cry when
reading this book? Indeed, who would still see different races, countries, or
religions after reading this?... The historic drama of Hiroshima shows how God
lifts up the weak and shames the powerful.Ó
Hyung
Kyoon Cho, Translator of the First Korean Edition, from his Afterword
ÒOne of the most important
moments of history was when Japan was bombed and World War II was ended. Never
before have I read a book of what it was like to be a survivor in search of
family members that hopefully had survived. What a story! Thank you, Mrs. Okuda,
for sharing your experience with the world today. God loves you and so do I!Ó
Dr. Robert H. Schuller, Founding Pastor, Crystal Cathedral
ÒThis book has brought back
to me in vivid truth what August 6 meant to me as a child. On that day in 1946,
the first anniversary of the bombing of Hiroshima, I was not quite 13 years old
and was preparing to become a Bar Mitzvah — one commanded by God to act
as a mature and decent human being. I was a camper at a Jewish day camp in
Baltimore, and editor of its mimeographed weekly newspaper. I wrote my first
serious article for that mimeo paper, saying that obviously Hiroshima taught us
that we must end war. All these years and failures later, I hope that A
Dimly Burning Wick will help us
bring that memory and that covenant to the foreground of our lives.
On the first and on the
fiftieth anniversaries of the bomb, August 6 fell on the fast day in the Jewish
calendar that commemorates the ancient destructions of the Temples in Jerusalem
by the Babylonian and Roman empires. These days, like August 6, remind us
that just as the sacred microcosm of the world, the Temple, was destroyed by
arrogant military might of an arrogant empire, so too might the earth as a
whole — our sacred macrocosm — be destroyed unless we learn to control
our arrogant urges to domination and violence.Ó
Rabbi Arthur Waskow,
Director, The Shalom Center (www.shalomctr.org); Co-author, The Tent of
Abraham: Stories of Hope and Peace for Jews, Christians, and Muslims
ÒHistorical accounts
of war often strive to give a sense that destruction was necessary. In the case
of World War II, the death tolls of Hiroshima and Nagasaki, as well as the
millions of other lives lost, are explained as unfortunate but necessary. A
Dimly Burning Wick leads us to question that perspective, suggesting that the
loss of life was not only tragic but unnecessary. As scholars such as Paul
Joseph, Ronald Takaki, and Pam and Rob Vergun argue at the end of the book, the
decision to bomb Hiroshima did not contribute to the war's end. As such, the
catastrophic loss of life intimately outlined in A Dimly Burning Wick becomes
all the more tragic.
Ann Hironaka, Professor of
Sociology, University of California, Irvine, Author of Neverending Wars: The
International Community, Weak States, and the Perpetuation of Civil War
ÒIn reflecting on the
damage humanity has done in the twentieth century, there are two higher
purposes: to remind ourselves of the damage we are capable of inflicting and to
celebrate the resilience of the survivor. Hiroshima will remain one of the
darkest and most painful days in human history. A Dimly Burning Wick makes it possible to tell the story of this day to
our children, without turning away from it. The bookÕs drawings are a powerful
record of the pain. Inherently, A Dimly Burning Wick celebrates the resilience of our rising to a renewed
understanding of our own accountability.Ó
Rabbi Gary Schoenberg, Gesher
ÒThe illustrations by Mia
Nolting are elegant and poignant — drawing the reader even further into
the horror and beauty of the narrative.Ó
Martin French, Assistant
Professor in Illustration and Chair of the Illustration Program, Pacific
Northwest College of Art
ÒThe atomic bombs dropped
on Hiroshima and Nagasaki in 1945 resulted in the unspeakable loss of 210,000
lives; thousands more succumbed to radiation poisoning in the years that
followed, and others were maimed for life. Just as heinous as the decision to
cause such unfathomable pain and death was the sentiment in other countries
that these actions were justifiable. Sadako Teiko Okuda lived right outside of
Hiroshima when the bombs were deployed. She traveled for eight days in the
ruins of Hiroshima in search of missing family members. A Dimly Burning Wick is OkudaÕs haunting depiction of this journey and
the suffering she encountered along the way. It aptly removes any arms-length
historical justification of these events and brings the reader face-to-face
with the physical and emotional anguish of war.
OkudaÕs tale was published
in Japanese in 1979, and was introduced to Korea in 1983. We owe a debt of
gratitude to Dr. Pamela B. Vergun for bringing OkudaÕs words to us in English
in 2008. Her skillful accounting of this story allows us to better understand
the consequences of nuclear warfare. The author writes, ÒÉI witnessed firsthand
the cruelty and ugliness of war, as families were torn apart, children were
orphaned, and human beings were reduced to shells of their former selves. In
the wake of the bomb, human dignity had been shredded and I was just a helpless
bystander.Ó The atrocities inflicted on Hiroshima and Nagasaki have retreated
to the safety net of our blurred collective memory, neatly categorized as an
event that happened long ago in a distant place. Yet it hasnÕt been that long,
and this wartime tool could be employed again.
A Dimly Burning Wick should be required reading in every school. It begs
the audience to consider the innocents caught in the trajectory of war É it
cries out for the elimination of barbaric methods to solve global differences É
and in its noble prose, devoid of hatred yet brimming with sadness, it
crystallizes the importance of peace.Ó
Jo-Ann Moss, Editor, Raving Dove Literary Journal
ÒFor decades, Americans
have been told that the bombing of Hiroshima and Nagasaki was a military
necessity to reduce our casualties at the end of World War II. As Americans
come to terms with the fact that the bombing was unnecessary, we must also
confront the painful realization that the suffering of children like those
encountered by Okuda was avoidable. VergunÕs translation of OkudaÕs account of
the experiences of defenseless children serves as a powerful reminder of the
human misery imposed by a government intent on developing a weapon of
annihilation. The horrors inflicted in Hiroshima and Nagasaki continued to
play-out in the Marshall Islands, in communities downwind from testing sites in
the United States, and in indigenous communities considered expendable by the
U.S. Government. OkudaÕs voice increases the volume of the growing chorus of protest
against the continued presence of nuclear weapons.Ó
Holly M. Barker, M.A.,
Ph.D., Former Advisor to the Government of the Republic of the Marshall
Islands, Guest Lecturer in Anthropology at the University of Washington, Author
of Bravo for the Marshallese: Regaining Control in a Post-Nuclear,
Post-Colonial World
ÒA Critical Perspective on
Nuclear Weapons.
Like many of the 20th
Century's saddest and most violent legacies, the bombing of Hiroshima stands as
a pivotal moment in time. For those of us too young to have been there, it can
seem like a distant history, relegated to the pages of a textbook as the event
that ended WWII in the Pacific.
But, like those other
legacies of violence and inhumanity, it is something that we can not, we dare
not, forget. The easiest way for these events to be remembered is through the
stories of their effect on children. That is why A Dimly Burning Wick serves as a critical perspective on Hiroshima and
the effects of nuclear weapons.
Pamela Vergun has created a
sensitive and extraordinarily powerful translation of these absolutely critical
stories. She has done this over time, with subtlety and grace. Were it not for
the horrors described here, the text itself could be described as Òbeautiful.Ó
This is a remarkable book.
It was difficult to read, but more difficult to put aside. It should be
required reading in every course on the war in the Pacific. These stories sit
alongside the childrenÕs stories from the Holocaust; the stories of Nanking,
Cambodia, and ChinaÕs cultural revolution; and all the other stories of the
20th centuryÕs violence — as a profound reminder of what we have done to
our world and what effect it has had on our children.
Ms. Vergun should be given
our deep thanks for making these stories available to those of us without the
benefit of Japanese language skills. Bravo!Ó
Steven Bilow, Board Member,
American Jewish Committee – Oregon, Immediate Past President, Beit
Haverim
ÒAs the hibakusha
generation begins to disappear, Sadako Okuda's memoir of Hiroshima at Ground
Zero in the wake of the atomic bomb is a clarion call to remember the human
cost of the final acts of the Pacific War. And the threat to humanity that
resides both in the continued atomic arms race and the unbridled use of air
power against civilian populations that has been a continuing legacy of that
war.Ó
Mark Selden, Ph.D.,
Historian, Cornell University. Coordinator of Japan Focus, Coauthor of The Atomic Bomb: Voices From
Hiroshima and Nagasaki
ÒTo understand the nuclear
devastation of Hiroshima, few things are more powerful than first-hand
accounts. In the case of A Dimly Burning Wick, the overwhelming horror accompanies uplifting
moments of hope, generosity, and caring that have the power to lead us further
from nuclear weapons and war. All of us, I believe, have the opportunity and
duty to achieve the abolition of nuclear weapons [and I ask you to join] former
Secretaries of State Henry Kissinger and George Shultz [in calling] for a bold
new vision: a world free of nuclear weapons.
As we move farther away in
history from the bombing of Hiroshima and Nagasaki, it is human nature to want
to forget the horrific effects of the nuclear bombs dropped on those cities.
This book brings the past directly back in view and puts human faces on the
appalling deaths.
In this global age, we must
recognize our interdependence if we are to survive. Young and old, we all hold
the responsibility to bear witness to the voices of the children of Hiroshima
and Nagasaki. Just as the children sought to keep the vulnerable flickering
flames of the people they loved alight, so can we follow their example in
protecting others and in doing so protect our earth and its invaluable
resources. I am honored to write a foreword for this remarkable book. My hope
for you is that reading this book will move you to help achieve one of the
greatest civil rights goals imaginable, the abolition of nuclear weapons.Ó
Catherine Thomasson, MD,
Past President of Physicians for Social Responsibility, from her Foreword to A
Dimly Burning Wick
Copyright Pam Vergun, 2007-2008, all rights
reserved.
Unauthorized distribution and copying
strictly prohibited without the express written permission of Pam Vergun.
Website Creator: Pam Vergun
Illustrations by Mia Nolting; Web
Contributor: Jim Wilson